This year, Holland Cotter writes, in a drive to promote awareness of China’s national heritage, the government introduced a free-admission policy at the country’s public museums…
But the look of anxious exasperation on the face of a curator watching crowds of schoolchildren swarm through a gallery of ancient ceramics here on a recent morning told a different story. They touched every exposed surface, leaned on glass cases and smeared them with fingerprints. Body contact and the art experience seemed to be inseparable.
A running joke is that once only a few people came to these institutions to see the art; now many will come, not for the art but for the air-conditioning.
“chinese” art museums are “different” in their materiality and audience participation to those in the “west”…
Check out also this interactive slide show and audio guide: