Anna Grimshaw, Emory University In 1960, Bill Coperthwaite bought 300 acres of wilderness in Machiasport, Maine. Influenced by the poetry of Emily Dickinson and by the back to the land movement of Scott and Helen Nearing, Bill Coperthwaite was committed to what he called“a handmade life.”   For over fifty yearsContinue Reading

Lydia Maria Arantes | Visiting Researcher, Anthropology, UCL   source: http://www.somersethouse.org.uk/visual-arts/knyttan-factory-of-the-future ]   Have you ever wanted to design your own scarf, jumper or even tie, but can’t knit?‘ read the first sentence on the Somerset House website introducting Knyttan – Factory of the Future , currently based in the NewContinue Reading

4S Conference 2015 – Denver, Colorado (USA), 11-14 November 2015 Call for Papers for Open Panel From one thing to another: Technologies of representation in design and making Panel Chairs: Arlene Oak, Department of Human Ecology, University of Alberta (aoak@ualberta.ca) Claire Nicholas, Department of Human Ecology, University of Alberta (cn4@ualberta.ca)  Continue Reading

Lydia Nicholas, UCL Digital Anthropology, @lydnicholas In UCL’s digital anthropology department, students are never allowed to forget that digital practices are performed by physical bodies, and that informants are embodied and situated, carrying their own culture with them as they write code, comment anonymously, or direct avatars to move throughContinue Reading

The exhibition,  The Tool at Hand asked what would it be like to create a work of art using only one tool? In the Spring of 2011 the Chipstone Foundation and the Milwaukee Art Museum invited sixteen established artists from Britain and America to participate in an unusual experiment. Each artist wasContinue Reading