Since its inception, Material World has treated museums and archives not only as repositories of material culture, but as material culture–that is, material products as well as producers of culture and social memory. As institutions, they are sites of collection and exhibition, acts that have their own material and materializing
Haidy Geismar, UCL I have been thinking a lot about the power of digital imaging and the kinds of subjectivities that are built into the construction of three dimensional images as particular kinds of visualizations of museum collections. The British Museum is currently host to the exhibition, Ancient Lives New Discoveries, an
Matt Voigts, UCL Digital Anthropology In January 2013, the London Underground marked 150 years of operation; the world’s oldest subterranean railway, it shares the space below street-level with bricked-over rivers, sewers (the two being often quite similar, if not the same), wires, pipes, ruins of eras past and the dead.